“It’s nice to have a place where electronics get turned off and creativity gets turned on,” says Ruth Pangaliman, general manager of Broadway San Jose. “Many people are horrified when they learn we allow this to occur during the show,” says Susi Damilano, producing director of SF Playhouse, where there is a waiting list for the 10 tweet seats. But “art is intended to help us understand ourselves and our times. Embracing the tweets is a natural evolution.”.

Cantor Arts Center at Stanford University, The Anderson Collection: Works by Jackson Pollock, Willem de Kooning, Philip Guston, Ellsworth Kelly, Terry Winters, Sean Scully and Vija Celmins, “Loose in Some Real Tropics: Robert Rauschenberg’s “Stoned Moon” Projects, 1969–70,” through March 16, “She Who Tells a Story: Women Photographers from Iran and the Arab World,” Jan, 28 through May 4, “Promised Land: Jacob Lawrence at the Cantor,” April 1 through Aug, 3, “500 Years of Italian Master Drawings from the Princeton University Art Museum,” May 27 through Aug, newborn booties, baby shoes, ballet flats with unicorn. 24, “Piranesi’s Paestum: Master Drawings Uncovered,” Aug, 19 through Nov, 30, “Artists at Work,” Sept, 9 through Jan, 18, 2016, 11 a.m.-5 p.m, Wednesdays-Sundays; Thursdays till 8 p.m, Cantor Arts Center, Stanford campus, off Palm Drive at Museum Way, 650-723-4177 or museum.stanford.edu..

Cunningham, who hails from Scotland, is an internationally renowned disabled solo artist. She possesses an imaginative flair for using her crutches in many non-traditional ways, and she has a sublime singing voice. As performed by these artists, “The Way You Look (at me) Tonight” is an evening-length duet that explores how we perceive ourselves, each other, groups of people, whole cultures and the world. Premiering Sept, 29 at CounterPulse and continuing through Oct. 9, it combines contributions from a stellar creative team: video artist Yoann Trellu and composer Matthias Herrmann, both of whom have worked with Curtis and Cunningham on other pieces; dramaturge Luke Pell, who has collaborated with Cunningham throughout her career; and author and philosopher of perception Alva Noë.

Unlike Gosvener, newborn booties, baby shoes, ballet flats with unicorn. Aldridge had a strong professional and personal association with Lake Placid, She was a retired ice dancer, who, with her partner John Dowding, had three times won the Canadian championships, placed sixth at the 1980 Olympics in Lake Placid and toured with the Ice Capades, Eventually Aldridge settled in Lake Placid with her first husband, raised two kids and taught ice dancing, The attraction between Aldridge and Gosvener was mutual, Aldridge was especially intrigued by his ponytail..

She remembers, “I said, ‘John, I don’t quite understand this first scene that I do. Could you help me here?’ He said, ‘Gena, I wrote this script with you in mind for this character. You read it, and you accepted it. Now do it.’ ”. Rowlands says he told her that “once the part is yours, it’s yours. You build the character in your feelings and in your mind. You grow very close to your characters, and you merge with them for a long time.”.